Necessary cookies are absolutely essential for the website to function properly. If you can point us in the right direction. Something wrong with this post? Thanks for letting us know. (and yes, I did copy this over to the Ark 2 page, because I feel the same about both.) That’s probably harsh, but there was no way to take off one half a star!įor the money I can not imagine a much better way to learn to use these libraries. There is no solution, they can’t very well include setting for every known reverb plugin, but it was a bit of an obstacle, so I took off one star. It is a lovely reverb, but I do not own it, so I had to substitute, which took some time. One caveat – the projects use EW Spaces for reverb. I prefer one track per instrument and using CCs to switch articulations, and one exercise will be to see if I can translate one to the other. I’m even beginning to understand why one would make that choice. Side note – the projects are arranged with a single articulation per track, which is one way to do things. You know you are starting on the right foot.Īt the moment I am still figuring out how he is using different articulations and controllers – which is key I think. So product specifics – the first thing that strikes you is that when you load the project it sounds a lot like the demo, and at least some of the differences are due to the difference between compressed and non-compressed audio. In fact I am not only picking up ideas for production (which is the goal) but I am also getting a few pointers about harmony and composition.
Almost like sitting over the composer’s shoulder. I am not there yet, but I find the two Ark projects to be remarkably revealing. I have no idea what made me think I could learn, but I am – learning. It is a more comfortable setting for me.Īnd yet I absolutely love the sound of Orchestral Tools and Project Sam libraries – so I bought a few, and struggled, and eventually moved them to an off-line drive to make space for other stuff. I just do not think that way, I grew up working with real instruments, and later multi-sampled (for lack of a better term) libraries where I had control over each section (or even each player). I have posted elsewhere that I never really got along with ensemble style libraries.
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